2 out of 5 stars
I had a hard time slogging through this, as evinced by the length of
time it took me from start to finish. The concept is good, in fact the
plot is a tried-and-true escapist fantasy, it was just...dull.
First
off, the main character, Ben Holiday, is, well, frankly, he's a woman
in many ways. His behaviors and emotions reminded me quite often of the
heroines in modern PNR fiction: "Oh, woe is me, I'm so miserable. I
have a horrid sense of self-worth and everyone keeps telling me how
important I am, how special I am, and I just can't, I won't believe it,
at least, not until the last act when my obstinacy and sullen attitude
has put everyone else in a position of danger and I wake up, stop being
such a whiny bitch and take my rightful place as the true leader I was
supposed to be all along." Yeah, that gets really annoying after the
first few chapters and even more so when it's a man doing the whining.
Conversely, Ben Holiday would also act like a complete Neanderthal when
it came to female characters. This was most obvious in his actions
toward Willow the sylph (half sprite, half wood nymph). He constantly
rejects her, even when she tells him that his rejection will be
detrimental to her and/or to him. For instance, she tells him to ask
her father, the River Master (the sprite), for his permission for Willow
to leave with Ben, as she's important to his quest. Instead, he sneaks
off the next day at dawn without talking to the River Master about
Willow and when she shows up later on (to rescue him, naturally), she
tells him that because she left without permission, permission Ben
failed to acquire, she's now exiled from her father's land. And he's
surprised about that! What a dumbass. Then again, Willow isn't much
better as a character. When she first meets Ben, she tells him she
belongs to him, a concept which he doesn't accept (of course), but which
she repeats on every subsequent meeting with him. If that isn't bad
enough, most of the time she's around, she simply floats passively
through the scene, as though she's there merely to do Ben's bidding or
to get trampled on by his insensitivity. Which she pretty much is.
Even during the rescue, when she gets to be proactive for once, you
don't feel any sense of heroics from her, just a sense that she couldn't
let anything bad happen to the man "she belongs to." The whole thing
is irksome. (And, by the way, when did hairy women become sexy? Willow
has long hair on her head, which is fine, but also lines of long silky
hair, growing along the backs of her forearms and along the backs of her
calves. I'm sorry, but yuck!)
As far as auxiliary
characters, once again they were simply there to support Ben. I didn't
feel any particular connection to them and while the wizard, Questar,
had a backstory, none of the others really did. And it didn't feel as
though that much effort was put into them. I mean, one of his retainers
is a former man who's now a dog, having got that way through a magical
mishap perpetrated by Questar. Really? That's it? A dog. Granted, a
dog who wears glasses and a waistcoat, but, and this is where the
creativity seems less creative and more lazy, a dog whose hands have
conveniently not fully turned into paws, having stubby fingers at the
end of them so that he may still do his job. Right off the top of my
head, I can come up with five other creatures/objects the retainer
could've been turned into, each of them presenting a more creative and
intriguing angle to the plot than this one.
The plot was a
quasi-quest as Ben, the new king of this magic kingdom called Landover,
roams the land in order to get support for his rule. However, even
though there's a big duel at the end and a few confrontations throughout
the novel, for my part, I never felt any real tension as far as "I need
to get the support of my people before the demon who's challenged me
comes to spit me on the end of his lance." It all felt very meandering
and casual, with no real drama or danger. And the thing which bugged me
the most about Brooks' writing is that he's very repeat-y. In one
paragraph, in which he's describing the appearance and situation of a
particular valley, he uses the word 'valley' four times...in a three
sentence paragraph! And he loved the word 'trailers' when it came to
describing the actions of the mist which surrounded said valley; I can't
count the number of times he used it. And why, when there are plenty
of other, really great words to describe the ethereal, mercurial,
fleeting nature of that particular meteorological phenomenon. I realize
repeating a word isn't a national crime, nor is using a different word
to describe the same object any better; however, a little variety can be
a good thing.
I think the most disappointing thing about this
book, though, is that it was sold to me as more a comedy than a straight
fantasy, at least according to the blurbs on the book jacket. I adore a
good comedic fantasy and I was expecting this to be along those lines.
Sadly, it wasn't. I've never read any of Terry Brooks' other works; I've
heard he's supposedly a well-respected author. If that's the case, this
book isn't an ideal introduction to his talent. Overall, it was a very
dissatisfying read.
Read November 27-December 4, 2011
Originally reviewed on Goodreads December 5, 2011
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